Sculpture Remixed is one the rooms in the DLA Piper Series : This is Sculptureat the Tate Liverpool. Was my favourite. Very cleverly mixed pieces contrasting each other. Take the John Henry Foley sculpture of Sir Joshua Reynolds. Amazing marble detail, glorious stuff to see up close.
And next to it an untitled piece by George Baselitz.
One made by one of the hardest stones and looking so soft and delicate I wanted to pull his cloak back to keep it out of the way of his palette. The other with no aspirations of deceit. It’s a figure coarsely made of wood, no disguising the material.
You had to enter through blackout curtains. It made me feel this was a private place – not yet ready for the public. Lots of contradictions. This was the first of the rooms that had a dark purple background, and pieces more noticeably lit with spot lights.
We were greeted by two machine workers, scared to death by two Redeemers and entertained by Degas’s beautiful Little Dancer.
Now seen at the Tate of the North – Liverpool. I first saw this ****, many years ago and it stuck in my mind so vividly as a glorious piece of **** that when I spotted it from across the gallery, I called out to Dan, “Look! Oak Tree!!” And, of course, he had no idea what I was talking about. Nor would he. Does it look like an Oak Tree to you?
This is what irritated me so many years before. Conceptual art that was up its own arse. And I was about to fly off into a deluge of abuse when we were accosted by an incredibly polite and chatty gallery attendant who said…” Oh yes. You’ve seen this one before? It’s all about faith…” I get a bit twitchy when people start discussing anything remotely religious – especially when we’ve not been formally introduced. But he continued on, “Yes, well I think so. It’s about how people take things on faith and will look up to anything that’s set above them…”
Oak Tree is a glass of water on a glass shelf about seven feet high. So you do have to look up to it. Both of us had our interest piqued, so we Continue reading Oak Tree