I finished this in February, but have only just got round to making this short film.
It’s just a selection of stills taken of me painting a portrait in acrylic on canvas. I was trying out some techniques I’d not used before – like a mid grey undercoat as Holbein used when painting The Ambassadors. I thought I might try letting the base coat show through in some of the highlighting. But as it turned out I painted over practically all the surface.
Also I’d been looking at polychrome work and Estofado – the process of layering of gold leaf and then paint particularly on sculptures made of wood. They would reveal the gold leaf by scratching the top layer of paint off. The polychromer can scratch or scrape the design off the reveal the gold underneath.
As well as scratching it off I’d heard the gold leaf was used under paintings to help make the painting itself glow – especially the flesh tones. So I tried that too. I think it did work. There was a finish to the facial area that felt more vibrant. The final picture. Click on it to get a close up of the detail.
There are many Photoshop tutorials out there with help on creating different finishes and effects. This one whizzes through one way of creating a Pop Art image.
I like the way he demonstrates very quickly with no messing around. You do have to watch his cursor closely to see precisely what he’s clicking on, because he doesn’t always tell you. But I have made quick notes to support this video which you can have to one side as well, whilst you chose your own image and work your way through the process. Give it a go – if you’ve got Photoshop that is.
Artistic genius Caravaggio, used a primitive form of photography to help create his masterpieces, said two art experts, Susan Grundy and Roberta Lapucci. Their research at a workshop in Florence, revealed that Caravaggio probably converted his entire studio into a camera obscura in order to project images onto his canvas. The painter then used his own compound made of mercury, salt and Venetian ceruse, a popular lead-based cosmetic skin-lightener, in order to temporarily ”fix” the images on the canvas. This produced a short-lived, fluorescent image, similar to a photograph, which he was then able to convert into a permanent sketch that formed the basis of the eventual painting. Continue reading Caravaggio and Camera Obscura→
Had never heard of this! A very old and intermittently re-found technique which uses bees wax and pigments to paint or model paint with. The bees wax has to be heated so it can be manipulated. It seems it was first used for Egyptian mummies – but looking at the style of these paintings – with a more Romanesque style.